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Posted by / 02-Aug-2016 20:54

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A young man with burning eyes (that’s the way it is, sometimes similes flares in your head, later it softens).

Anyway, a young man with brown eyes, keeping dead birds in his freezer and later taking them out of their coverage in a club named Nightingale Cinema, no less.

An almost Christian image, I thought, almost poetic, Jesus in the hands of Mariah.

Mariah holding baby Jesus and already visioning his future death, alongside the bird as some kind of prosthesis accessory, exposing the unsaid – here, someone died in the hands of a very living someone.

That sentence he said, reminded me of Jacob Biton’s poetry who wrote about himself and his brother Dogan facing their grandma’s death, the big mother.

In his meticulous photograph there is something primary, physical like a bone cracking out of skin. » Yaara Shehori The photographs & text were originally published in "The Hottest Place In Hell" magazine, May 7th, 2015 Victorian ornithologists and botanists would have heartily commended Susan Hipgrave’s remarkable series of hand-painted plates.

‘When I’m contemplating a new piece, I start by going through my collection of natural history books until I find something that “speaks” to me.

Erotica of exploitation, defiance and embarrassment, and sadness.He spoke about dead birds, I remembered birds interested him back then as well, in Bezalel. See, those are birds that people don’t usually put inside their freezer, long winged, magnificent, fragile. He told me about the freezer, the cooler where a dead bird is each time carried into the club he photographs in, waiting for the right, crucial moment.I was immediately sorry I hadn’t thought of it myself, that I hadn’t stolen him from life, into my story.Yuval would probably say “Israeli goth” and he would be right and I would be wrong, for they are all migrating birds passing through Israel, dying here with all their glory.He doesn’t kill them, it’s important to say, Yuval is the most non creepy person I’ve met and still, I was amazed by the way he creates beauty from this death, present it, displaying it beside the bodies of young men who carry them as carrying their own death.

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I obsess about how fine a line I can do; ultimately, I love seeing all the little black lines that I’ve painted come together to create an image.’ Despite the striking maturity of her work, Susan has been working in ceramic art for less than a decade.